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本书分为上、下两编。上编从产业和市场的角度描述了新世纪以来合拍片的发展和现状;下编从影视美学、文化批评的角度,探讨了以合拍片为主的华语电影的新形态。本书结构严谨,语言精练,论述清晰,举例翔实,专业特色.....
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