中国舞台上的塞缪尔·贝克特 跨文化戏剧演出研究 1964-2011 英文PDF电子书下载

本书分7章，以各地不同时期的十余个典型贝克特戏剧演出案例为对象，通过还原表演的社会历史语境，考察其演出动机、编演策略、演出效果与各历史阶段不同侧重点之间的呼应关系，并借此说明这些演出拓宽了贝克特戏剧在非欧美文化中的阐释可能，同时也反映了中国导演、演员借贝克特所表达的、具有鲜明时代和本土特征的思考，而这也是贝克特作品在中国始终与时俱进、久演不衰的重要原因之一。

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Chapter One Introduction 1

1.1 Literature Review of International Beckett Criticism 1

1.2 Literature Review of Chinese Beckett Criticism 10

Chapter Two Theorizing Chinese Beckett Performance 15

2.1 Boundary Crossing:Beckett as Cultural Translation 17

2.2 "Other"Becketts in Intercultural Theater 30

2.3 Acting Beckett from the Marginal 41

Chapter Three Political Beckett:First Trials 48

3.1 Icebreaker:Gao Xingjian and Chezhan 50

3.2 Meng Jinghui:Angry Young Men Waiting for Godot 61

3.3 The Premature Godot:Premiere of Theater Quarterly 73

Chapter Four Beckett as Postmodern Laboratory 83

4.1 The Waiting of Three Sisters:A Chan Collage 85

4.2 "Mo lei tau"Beckett:What if Godot Comes？ 99

4.3 Moveable Feast:Beckett in Ancient Chinese Gardens 110

Chapter Five Gendered Beckett in Consumerism Culture 121

5.1 Only Bored Women Waiting for Godot？ 123

5.2 "Hard Man"and Woman Godot 136

5.3 Minnan Endgame:Gendered Consumption 145

Chapter Six Co-produced Beckett:Negotiating"Authority" 155

6.1 "Beckett Workshop"as Empowering Site 158

6.2 Western Experience:Enlightenment or Domination in Disguise 171

Chapter Seven Can the Indigenous Act Back？ 189

7.1 Performing Beckett,Reforming Jingju 191

7.2 Beckett Danced on Chinese Stage 204

7.3 Dialogue with the Masters 212

Conclusion 223

Works Cited 230

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